Feedback from critique 2
December 1st, 2007
Film Stills


Relationship

3 photos I showed in my critique last night. They come from 2 bodies of work.
The top 2 images are photos look like film stills. It all started from the 1st picture which I took when I went back to China. It was a spontaneous shot. I happened to step in this little restaurant with my friend. I like it so much that I want to make more photos like this. I wish to have more control in this picture(lighting, clothing, direction, etc.). So I arranged the shooting in a local restaurant in Memphis, set up light & prepared props & clothing… These photos are about the moment when a person is alone & facing their own problems.
The 3rd picture along with my pinching nipple, biting lip photos, belongs to the relationship project. This photo is about the miscommunication & attitudes of couples.
Feedback:
You have good control of technique.
Which project are you interested in? I have 3 projects right now, a. murder scene, b. relationship, c. film stills.
I’m interested in all of them for different reason. I’m more interested in the compostion of a, the idea of b, & the technique/look/effect of c. I guess it’s time for me to cut down & make up my mind, or maybe try to combine.
The film stills look like Cindy Sherman meets Brassai.
Have you made a list of places where/what/who contemplate these things (film still)?
It’s kind of a metaphor how you treat your signifigant other - like ass.
Do you have a list of how couples relate? No, I work when I have inspirations. Inspiration is overrated.
Write an artist statement. I’d been avoiding that, but I’m writing.
You could illustrate the Michelin restaurant review or it could be like another anthropological research project. Do portrait of who eats there, where, what kind of food (ethnicity). Project could revolve around this history of people who frequent these place. There is a potentially a lot of money in that. People like Cindy Sherman, like psychological portraits (Annie Liebovitz). But do it in the next three weeks, cinematography is quicker. It’s “charming” that it’s intercontinental, but it would help if you made a map. Whenever I hear about money I feel compelled to do it, & it usually wears me out. I’ll try to take more photos & see if it works for me, but not possible in these 3 weeks. I’m slow.
Combine short film with photo. I just got myself a miniDV cam.
You could play the language of film by shooting 15 stills. I’ve done story board kind of photos before, not really working.
Haruki Murakami’s Wind-up Bird Chronicles. I’ll try to read it, I never read novels though.
Buffets are more isolating, these look like hometown restaurants. might try tasty buffet.
I’ve only seen your work twice, but I need to hear you articulate more. The film stills are not as strong as the relationship photo. Do you want to pursue conceptual or technical exercises? Maybe you need to be naked in a restaurant. Thanks, Richard
You have a distinctive style, so having 3 bodies of work isn’t problematic, because you have a style. Idears converge and are always connected. I don’t differentiate between the series. Don’t try to limit youself. Thanks, Chase. You are my pal!
December 1st, 2007 at 1:20 pm
I like your concepts. The other day, you posted the pinched nipple, it seemed like you were showing a dominant woman, and a man who is under her power, though he was powerful in his own way. I liked the lonliness of the matress one on the phone, but a bit overdone–the phone stuck in her hair, that was too much for me, made it prop like.
I think your concepts do converge, connect. The lonliness of sitting alone in a restaurant, it is like the power dominance of the relationship’s intimate inner dialogue, only then she is eating food instead of her lover–also lonely, still. All of them seem like the anxiety of no connection in a city far from Self. Like someone in the act of discovery, self-discovery as a lover, as a citizen, an artist, a woman, a thinker. Alone. But willing to speak and express.
Your images are affecting me, popping into my head during moments, like when I walked the other night.
December 9th, 2007 at 2:29 pm
I have some of Murakami’s books if you want them over break.